After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before perestroika and the degree to which this situation has—or has not—changed. Although the fall of communism brought new freedom to Russian queers, there are still no signs of a mass movement forming around the issue, and few identify themselves as lesbians or gay men, even when they are involved in same-sex relations. While self-help health books and medical dramas are popular around the globe, we are bombarded with daily media images of DNA research, and news reports about cloning, the fight against AIDS, cancer and depression. Contributors examine the public meanings of science, revealing the frictions and contradictions within popular representations of what medicine can and should do. After describing accounts of pre-perestroika persecution, Essig examines the more recent state of sexual identities in Russia. With popular culture now the principal means through which the non-scientific population encounters science why do certain images of science get promoted above others? With sections addressing the new visual technologies which make the human body into a virtual territory, the diagnostic and medical practices centered around women's bodies, and popular debates around genetics and identity, Wild Science argues that science is a practice bound in values and institutions, and argues for a responsible engagement with the public cultures of science and health.

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While male homosexual acts were criminalized in Russia before , women attracted to women were policed by the medical community, who saw them less as criminals than as diseased persons potentially cured by drug therapy or transsexual surgery. After describing accounts of pre-perestroika persecution, Essig examines the more recent state of sexual identities in Russia. While self-help health books and medical dramas are popular around the globe, we are bombarded with daily media images of DNA research, and news reports about cloning, the fight against AIDS, cancer and depression. Contributors examine the public meanings of science, revealing the frictions and contradictions within popular representations of what medicine can and should do. With sections addressing the new visual technologies which make the human body into a virtual territory, the diagnostic and medical practices centered around women's bodies, and popular debates around genetics and identity, Wild Science argues that science is a practice bound in values and institutions, and argues for a responsible engagement with the public cultures of science and health. With popular culture now the principal means through which the non-scientific population encounters science why do certain images of science get promoted above others? As a sociological fieldworker, she began her research during the late s, before any kind of a public queer identity existed in that country. Essig does reveal, however, vibrant manifestations of gay life found at the local level—in restaurants, discos, clubs, and cruising strips, in newspapers, journals, literature, and the theater. Focusing on the visual culture of medicine, they show how representations of science have a direct impact on popular perceptions of the limits of science, and ultimately on health education, funding and research, and examine the belief that media literacy in popular representations of medicine makes an ethical public discourse on the aims of science possible. Although the fall of communism brought new freedom to Russian queers, there are still no signs of a mass movement forming around the issue, and few identify themselves as lesbians or gay men, even when they are involved in same-sex relations. After a decade of conducting interviews, as well as observing and analyzing plays, books, pop music, and graffiti, Essig presents the first sustained study of how and why there was no Soviet gay community or even gay identity before perestroika and the degree to which this situation has—or has not—changed. Concluding with a powerful exploration of the surprising affinities between some of Russia's most prominent nationalists and its queers, Queer in Russia fills a gap in both Russian and cultural studies.

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